Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent quis viverra est. Duis purus velit, tincidunt eget dui in, pretium ultrices elit. Aliquam rhoncus erat in velit sodales, gravida euismod dui eleifend. Sed in orci et sem finibus consectetur at eget lectus. Mauris non rhoncus elit. Nullam at erat id est fringilla suscipit. Fusce et quam efficitur, volutpat magna at, venenatis nisi. Quisque at aliquet purus. Etiam lacinia finibus sapien, in lacinia dolor rutrum ac.
Nam sagittis semper justo ut elementum. Donec vitae turpis et lorem euismod scelerisque. Sed eu varius ipsum. Donec sed dignissim ex. Ut sed quam leo. Praesent non nibh diam. Proin ornare nisi nec consequat molestie. Nulla ultrices enim sapien, quis posuere nulla dapibus et. Proin fermentum dui magna, a tincidunt urna ornare sed.
Aenean in malesuada nisi. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia curae; Nam scelerisque aliquam elit, a mattis dui. Pellentesque volutpat, risus vel laoreet pretium, lacus neque ornare diam, at accumsan nulla turpis id est. In hac habitasse platea dictumst. Suspendisse potenti. Vestibulum vestibulum pharetra magna. Integer pretium ipsum purus, eget rhoncus neque varius eget. Proin consequat tempus fringilla. Pellentesque ac lacus vitae risus pharetra faucibus. Aliquam mattis congue finibus. Suspendisse pretium ante tristique, vehicula lorem quis, dignissim risus. Cras erat turpis, vulputate id luctus vitae, pharetra ut leo. Donec auctor efficitur molestie. In eget tellus at libero fringilla volutpat.
Mural Typography, Implementation Kit & Signage
Along with her role as Assistant Professor of Graphic Design at Rutgers University-Newark, Chantal is a founding member of IntraCollaborative, a team of designers and educators sharing a deep-seated interest in design and its relevance to the social sector.
Chantal integrates publicly engaged practice and design education through her work at Express Newark, as Co-Director of Visual Means and Design Consortium, two academic programs that model a design-studio working experience in which faculty, students, researchers and community partners engage in a collaborative design process to create impact in the city of Newark.
Through my academic research at Rutgers University-Newark, I’ve experienced a clear intersection and productive exchange between my career focus, my role in the classroom and my responsibility to the community — through collaboration, co-building, social engagement and service learning — so I continued to investigate ways in which social contexts can be applied to the fundamentals of graphic design: image, word, message-making and the technological conditions of the medium.
One of the most important aspects of my professional development has been the collaborative process. The strategy, decision making and design process behind highly charged social issues, are more purposely founded and more democratic when it is informed by a collaborative and/or participatory process with partners, clients, audiences.
Brand Identity
Creative Direction
Data Visualization
Digital
Editorial / Publication
Environmental
Exhibition
Experiential
Illustration
Installation
Merchandise
Participatory
Print
Production
Public Art
Signage / Wayfinding
Social Media
Typography
Blogpost
By engaging students in partnerships with the community, a conscientious design-sense is forged. It establishes deep networks of trust and personal involvement in the changes they want to see in their city.
—
On Martin Luther King Boulevard between the Essex County Historic Courthouse and the Veterans’ Courthouse, the words “ABOLISH WHITE SUPREMACY” were painted in bright yellow traffic paint from curb to curb. On Halsey Street, east of the Rutgers campus the words “ALL BLACK LIVES MATTER,” took up a City block.
The murals were painted with bright traffic paint, similar to the murals that erected across the country. The murals were designed using MARTIN by VocalType, a type foundry owned by Black designer, Tré Seals. MARTIN was inspired by remnants of the Memphis Sanitation Strike of 1968, and the signs of striking workers declaring “I AM A MAN.” The letterforms live 25 ft’ in height, and were drafted by design faculty, students and local muralists in preparation for the community painting.
I designed the typography and implementation method for the murals, articulating a collaborative system in which letters could be drafted individually by small teams.
—
See the full story:
Newark’s Black Lives Matter Murals: A Design Process & Collaborative Action Framework.
[ EXPRESS NEWARK ]